Thursday, May 27, 2010

What Type of Quilter Are You?


My favorite quilts are free-pieced out of scraps and strings, orphans and leftover strips. I love making something out of almost nothing and doing so without rules or regulations of any kind, and then giving almost everything I make away. So, I consider myself to be primarily a liberated, charity quilter.

But other quilters often find themselves at odds as to what constitutes their own primary style or focus. Do you see yourself as primarily a traditional quilter, modern or liberated quilter, or perhaps as an artist or art quilter?

I've discovered that stating one's opinion on what type of quilter they are can often lead to active discussions...even some disagreements...as each of us views ourselves, and others, differently than we do ourselves. So, I worked out some potential descriptive categories for "What Type of Quilter Are You?"

Traditional Quilter: You love the history of quilting and the patterns created and carried down through time by our pioneer ancestors and forebears. You tend to use pattern and love the look of traditional quilting above all other forms. Making a "Dear Jane' quilt once in your life is a goal of dedication, perseverance and the love of history,craft, and art form combined. But you might also adore the color values, tradition, and use of style and form in Civil War or Reproduction quilts.

Folk Art Quilter: Folk Art Quilters are often a blend or a fusing of many techniques used by traditional, applique, and art quilters. Utilizing expressive designs and often incorporating muted blending of colors with a predominant use of applique, one thinks of the bright modern, liberated works of Mary Lou Weidman or the rich traditional patterns and heart warming colors of Tonye Phillips. You love the comfy, cozy feel of quilts and quilting, but also have a deep inner need to express that love with characteristic symbols and meaning infused into the very story of the quilts you make.

Liberated Quilter:
Liberated quilters like to see themselves as using the best of two worlds...the traditions of those quilters who have gone before us, and a fun, free-piecing approach to intuitive quilting without following rules or allowing the inner quilt police person to constantly critique or challenge our work. An offset style of folkart quilting in many ways, it tends to incorporate more tone on tone fabrics or very brights. Liberated quilters often include free-pieced letters, and wonky versions of traditional patterns. The liberated stars, wonky churn dashes, strip pieced strings or flip and stitch flowers, animals, birds, and fish often distinguish them from other forms of quilting. Based on Gwen Marston's iconic 1994 book 'Liberated Quiltmaking', with her string quilting and liberated stars and houses, the movement has gone on to embrace Tonya Ricucci's free pieced alphabet letters, asterisks,houses, and stars and Bonnie Hunters more scrappy and fast pieced free piecing of traditional blocks, strings and orphan pieces, as well as developing a variety of techniques and styles among the many individual quilters.

Modern Quilter: Modern quilting is a new twist on the traditional art of quilting, once liberated and twice removed. This may mean something as simple as using a traditional quilt block and updating it in a fresh fun new way, using modern and often dramatic or unusual fabrics, modifying the block arrangement or even the scale of the block. It often uses bars and strips in unique ways where the emphasis is on design as a focus.The piecing could be improvisational and wonky, or it could be very exact and measured, following a pattern or creating your own. It might use a traditional stippling for quilting, clean straight lines, or a very free style. Fabrics could be up-cycled vintage sheets, custom digital printed fabric, or something from one of the modern fabric designers. Usually, there is a predominance of white spaces and fabric for a fresh, modern look such as that personified by Jacquie at Tallgrass Prairie Studio or the wonderful artistic combinations of Victoria, at the Silly Boo Dilly.

Art Quilter: Art quilters frequently began as artists in other media who discover a love of fabric or mixed media and use the craft of quilting as a form of multiple self expression. Often seeing the art quilt as the best of all worlds, they allow complete freedom of self-expression outside of any confines of the traditional pieced quilt. Using multi-dimensional techniques and materials, their quilts delight the senses and fill us with the wonder of 'how in the world did they do that' wonder. And I have to add, that amongst the most lovely of art quilts are those with specific value and purpose, such as those inspired by the amazing energy of Ami Simms and her Alzheimer's Art Quilt Initiative where we can all become art quilters with the creation of small 9"x12" art quilts or 4"x6" postcards and one can also become an art collector by bidding on or buying one of these lovelies;)

Fused Quilter: Sometimes viewed as art quilts, sometimes as fused applique' quilts, the art of fused quilting may have become famous due to the talent and hard work of the likes of the Chicago School of Fusing and Laura Wasilowski, Melody Johnson, and Frieda Anderson. It has developed as its own distinct quilt art form due to the bold use of design elements and color within the exploration of fused fabrics and modern quilted elements, as well as their creative use of music and theatre.

Crazy Quilters: To the Victorians the word "crazy" not only meant wild, but also broken or crazed into splinters. And 'Crazy Quilting' as a textile art is definitely creative and free-flowing by nature. As you add crazy quilt pieces and patches, you will often learn as much about the use of specific stitches or embellishments (and your love and obsession with them), as you will about your 'crazy quilting self' in the process. So, when it comes to self expression and liberation, being crazy is a whole lot of fun.

Kit Quilters: More of a subset to traditional quilters but often branching out into the kit quilting of even the Gees Bend approach, kit quilters may love the look of free pieced quilts but are not always ready to work from scratch and are more comfortable using patterns and quilt tutorials. With an interest in precision and color matching, as well as interest in saving time, they almost always buy their quilting materials pre-packaged or grouped.

Machine Quilter: The quilting culture is a living culture. Machine Quilters are wise to the fact that their ancestors jumped at the chance to use sewing machines to piece their quilts. The become 'machine quilters' when their quilting for others exceeds their piecing and quilting for themselves. They may give a nod to the past with their precise corner matching and the fact that they can finish a king size quilt in a month without the need of a quilting bee. Their ancestors would be amazed but most of us are simply jealous of their ability to be both creative and prolific at the same time.

Hand Quilters: Hand quilters really and truly are a special group of their very own. Those who love and honor this traditional and time consuming art, have to be commended and admired. Facing carpel tunnel, a bible bump and the beginning symptoms of arthritis, they steadfastly quilt away. You can often recognize them from the sheer number of band-aids on their fingers and the intent, somewhat glazed look on their faces. They are as much a 'group' as machine quilters, because while they mostly likely have their own favorite form of quilting...they stand out in their own group as hand quilters, as well. Traditionalists considering hand quilting a necessity, and an almost religious fervor and sense of responsibility to their cherished handiwork. For the true hand quilter, anything else is a cop out to time constraints or laziness ;) And yes, I have a tongue in my cheek and am totally jealous by their tiny stitches!!

My favorite quilt is ALWAYS the one that I'm working on, so I offer it here with a big shout out to the Spring Quilt Festival at Amy's (Park City Girl) Creative Side I had it bookmarked and on my list all week and I'm almost too late to enter in her virtual quilt show. It's always so much fun checking out all of the blogs and seeing the fabulous quilts. I just know I'll find even more categories to add to this post, later!

What Type of Quilter Are You?

shown above:
My last little project out of cast-offs and orphans. A liberated collection of orphan blocks pieced together with a liberated free-pieced back. Symbolizing the layers that build up not only a quilt, but ourselves, as well as we quilt for a sense of individual accomplished and creative expression.

Thursday, May 20, 2010

Singer Featherweight: Sewing Accessories Tutorial


My new (1964) Singer Featherweight sewing machine had barely come through the door...er chimney...in December and I couldn't wait to immediately make her a new set of 'clothes'.

She is destined for being brought to many charity and guild group sew-along's so I knew that just like her bigger sister's, she needed accessories! Out came the gridded design table and sketches of a little table mat, a dual purposed snippets and scrap bag (that can later be unbuttoned for storing her little foot pedal as it tucks within her 'throat' area for travel) and a tiny wool filled pincushion...perfect for sitting on top of and protecting her motor casing during travel.

For those of you not familiar with these little 'green' featherweights (which is what they were called when production began in Clydebank, Scotland in 1964) they are actually a faint green that most people see as 'white' or perhaps 'slightly off-white' until something truly white is held up next to them. I have also heard the color called mint, aqua, and Singer originally called it turquoise!!!!

The traditional antique looking black model was produced from 1933 through the fifties and are the easiest to find, then the white or 'green' ones and finally the most rare...the tan ones.

I could have wished for a little black one ( as my local source had many black ones to choose from) but for reasons I can't explain, the little white one stole my heart. I changed my mind in a heartbeat after wanting a traditional black one for forever! Being frugal, I deliberated for almost a year before actually making the purchase...er, putting in on my Christmas wish list ;) And now, I feel so blessed to have one of my own and just adore her!

Here is a quick photo tutorial for the sewing of my featherweight sewing accessories and a link to all of the many other sewing accessories I have previously offered on this blog.


Supplies needed:
Assorted fabrics, thin fleece like batting, two buttons, one buttonhole ;)



Cutting Directions:

Sewing machine mat--cut two pieces of fabric and one piece of fleece batting 10" x 18"
Snippets bag--for body cut one exterior piece, 1 lining piece, 1 batting piece...all 7" x 8", a snippets cuff section outside section plus a lining section in an alternate prints 4" x 8"each, one section for hanging/buttoning strap 5" x 8".
Pillowcase sleeve for fold up bed of machine--it's cutting size ended up as 9" x 9". This gives allowance room for the turn under opening edge and 1/2" seams.
Pincushion/motor protector--small rectangle, mine is 4" x 5" finished. It is placed on top of the motor in the back of the machine to protect it and as a tiny pincushion at group.



1. Mat: Sew together the 3 mat fabrics...right side of the outside, to the right side of the back or lining section to the fleece batting section. Sewing sections together as shown above and leaving an opening for turning. Turn right sides out, batting enclosed within, then hand sew the turning opening closed.


2. Snippets bag. Seam outside section on main seam closed. Do the same for the lining with fleece to wrong side.



3. Strap:
Make a little hanging tab or strap, as shown, and seam it into the lined cuff section. Stitch all pieces to the top opening of the bag.


4. Two buttons and one buttonhole
Add a little button to the mat and add a little buttonhole to the snippet bag strap for attaching it as shown in very top photo. I also added another button to the front of the snippet and scraps bag...the strap with the buttonhole that attached the snippet bag to the mat, can now be used to close up the little bag...holding the foot pedal inside for putting away or bringing to a sewing group.


5. Make a simple little pillowcase bag to fit over the sewing machine bed which folds up for travel in a featherweight machine. Optional pincushion, shown above on right , can also be used to cushion the motor when packing the set up and traveling.



6. Pack as shown above. Sleeve onto bed, foot pedal tucked in snippet bag (which I unbutton from mat for travel) Little pincushion is shown above right by button is placed over motor when traveling.

Find this tutorial and others, including making a larger mat and snippet bag for a general sewing machine at: With Heart and Hands: Free Sewing Room Accessories Patterns

Monday, May 17, 2010

Bumble Beans Basics Quilt Gather


I am so happy to have been one of the earliest to donate a completed quilt to Basics Quilt Gather. But sad that there are currently only a few more names listed after mine. So many of you have donated house blocks such as the one shown above, to Victoria at Bumble Beans and V. has been fast and furiously turning them into completed quilts.

But now, she and her co-partners at Basics Inc. are striving to collect 700 completed quilts to give to homeless families in New York City...and frankly, they need many more.

It is a wonderful and amazing thing to give a homeless family the basics...a roof over their head, a table and a few chairs, a mattress to sleep on, a few pots and pans. But when we give them a quilt, we give them a gift from the heart and the hands of someone they've never met. Someone who cared enough about them to want to make time, spend time, and give time as a gift to show them that they are cared for.

Victoria has now brought in some wonderful people, companies, and gifts to further inspire us into action. By being the 5th person (out of 25 immediate gifts) to send a quilt, I won a $10 gift certificate to PINK CHALK FABRICS and one of these people, through a raffle, will also win a gift of 5 Vintage Feedsacks.

At 50 quilts, they will do a raffle for two $50 gift certificates from PINK CHALK FABRICS and at 75 quilts, 2 raffles.ONE raffle for a gift package from PURL SOHO (worth $75) which includes Last Minute Patchwork Quilted Gifts and 6 half yards of fabric!

At 100 quilts, long arm services from COTTAGE GARDEN QUILTS,

At 200 quilts,



The Janome Memory Craft MC200E 5×5″ Hoop Embroidery Machine!

All it takes is a donation of one quilt! Mine was the little baby quilt shown at the top of my collage above. A new place to live with a warm quilt for a new baby...how sweet is that? It made me feel so good to mail it, but that family will feel even better to have a home of their own with a roof over their head.


A quilt should be:

Homemade clean, completed,
100% cotton
New or Gently loved

SIZE? any size!

baby quilts
toddler quilts
twin,
full,
queen
king size quilts,
whatever size you want to give.


ANY look or design or pattern
These quilts will go directly to families
that are getting into new housing…
Send Quilts to:

Basic Housing, Inc.
Attn: Rosario Golden / BBINC
540 East 180th Street,
Bronx, NY 10457

PLEASE Include
your name, email & address
and value of your materials used.


My little baby quilt is small. It only cost me $15 to make and a few dollars more to mail. But I still made it inspite of a broken wrist, because I wanted and needed to help. The value of the gift given is so much greater than you can possibly imagine. Please contribute as you can to the amazing work that Victoria of Bumble Beans, Inc. is doing with her Basics Quilt Gather.

Wednesday, May 12, 2010

AAQI: Art Quilts and Alzheimer's Research



I'm delighted to report that my 9" x 12" AAQI quilt Transitioning Between the Polarities earned $80 at auction towards Alzheimer's research funding. All Alzheimer's Art Quilt Initiative auctions are held from day 1 to 10 of each new month. The next one begins on June 1st and runs through the 10th. Every auction follows this pattern and all end at 10 pm of each final night.

Thank you and many blessing to Rene' of Rene Creates, who bought my AAQI quilt at auction.

Now that it has officially been released that no study to date has shown any way to prevent or to slow down the transmission or process of Alzheimer's...not playing chess, nor crossword puzzles, not Sudoku, not an active, exercising lifestyle..and unfortunately not even being Internet savvy or having an active life in blogging or message boards that keep our hearts, hands, and mind alive! Dang! This just is not right!!!!!!

All we can do now is support research and keep studying, testing, and maybe inventing and trying gene therapies to treat or hopefully alter this in the future!!! And research monies are still desperately needed. Our quilts, and the money they earn through AAQI make such a difference in so many ways!

My brother and others from my family have been visiting us in Oregon this week, just as this study was released, and as it was announced that Walgreen's Pharmacy would be putting out a DNA test kit...spit in a cup and mail it in...that would include the results of any of us being likely to get Alzheimer's. Scary times...would you want to know, or would you rather just prefer hope that you had somehow eluded your family probability? The debate on that and whether Walgreen's will face potential lawsuits on either reliability or accountability for errors will no doubt rage in the media!

I have two more AAQI quilts currently on sale. Apparently, if we send them in multiples at a time, this may happen... as it has to me. Rather than my other two being on the assignment for the June auction list, they were simply assigned a 'price' and are at Quilts for Sale on the AAQI website. Let's face it, Ami Simms and her volunteers do an outstanding job and any way she gets our quilts out there and up for sale to earn monies for Alzheimer's research is a good thing!

My other two art quilts are:


4946 - Liberated Rose
see Quilts For Sale


4948 - Alzheimer's: It's More Than Black and White
Update:Sale Pending! Thank you so much to somebody very wonderful :)


Check out the page, there are hundreds up for sale, and many of our Liberated Challenge
quilts are still on this list awaiting purchase. Yours might be there, and you aren't aware of it!

If you have quilts that have not yet sold from a previous auction, they can be found on the website under Look at All the Quilts for all other current quilts and postcards. Perhaps you can talk someone into buying one or buying one yourself for a friend or family member as a gift.

Supporters have been known to create art galleries of AAQI quilts, either buying back their own favorites or buying those of others that they would love to own or display...at home or at work. It makes a wonderful conversational grouping, as well as a way of showing support for this wonderful cause.

To see all of our own groups' donated quilts, check out my update complete with photos of each art quilt or postcard at our group blog at:

Liberated Quilters: Our AAQI Challenge Quilts Latest Update

Twitter Updates from Ami Simms at AAQI

follow the AAQI on TwitterLiberated Quilting Challenge

Get the latest news about the Alzheimer's Art Quilt Initiative on the AAQI BLOG!
For more frequent news follow the AAQI on FaceBook and Twitter.

Saturday, May 01, 2010

Transitioning Between the Polarities: For AAQI


Bid now: Alzheimer's Art Quilt Initiative May 1-10 Quilt Auction
Read below: My personal Alzheimer's Challenge With My Beloved Mother:

Whether I am home in Oregon, or traveling to Alaska to care for my mother, both she and I are in a state of constant transitioning.

Neither of us wakes up in the morning knowing where we are, neither of us knows what the day will bring, and neither of us knows what kinds of challenges we might face that day.

I might be called back to Alaska with only a day's notice, I might not go back up for several months. What we do know, is that we face each and every day, together...no matter where either of us is, or either of us is doing, at the time. This is the bond of a child and her mother. It is the very heart of pure relationship, without the need for physicality, or matter.

She is my mother and I am her daughter. Yet my mother no longer consistently remembers what the word 'daughter' means. But, when she hears my voice, she still knows that it is me. Instantly, she knows it is me.

"Is this my favorite daughter?" she asks, even though she has forgotten what a daughter is. It is our constant joke, and I repeat it with every single phone call. "Your very, most favorite daughter, in the whole, entire world." I tell her. And we always laugh. I am one of five children, but the only daughter. And somehow, she still gets the joke of it all.

My mother no longer remembers who her grandchildren are, she doesn't necessarily recognize any of their names, nor does she ever seem to remember which of her children they 'belong' to. Once in a while, even gets her sons mixed up...after all there are four of them... and only one of me. She forgets who is married to who, or who has what children, or who might have her grandchildren. There's too many names, too many relationships, too many confusions. She has stopped trying to remember at all now.

My mother no long remembers whose house she is in, or even why she is living there. Most of the time, she thinks she is in her sister's house. A sister who never even visited us in Alaska and who has been in an almost comatose stage of advanced Alzheimer's in a nursing home in Tennessee for a decade. A sister, like her other sisters and a brother, who all faced the ravages of Alzheimer's.

My mother doesn't understand how old she is, when her birthday is, even if it was just the day before we ask her about it. She won't be able to remember the party, or who was there or even if she had cake.

My mother believes that her own mother is still alive, a mother she cared for in 1974 for the final 3 months of her life, and whom she held the hand of, as she passed. She asks for her, about her, and wants us to check on her, on a fairly constant basis. She misses her and often, in her world, her mama is still alive and still very real.

My mother is trapped, and barely moves, but she is not static. Her body no longer wants to walk, it no longer recognizes signals of hunger, or elimination, it doesn't know the different between day or night. But it is filled with inner movement. She spins almost constantly inside. She tells us that her brain hurts, that it is always busy and dizzy. She can't make it stay still she tells me. She scrambles to find the connections, the word, the meaning, the sense of it all. Yet there are times, when it is absolutely stuck, completely void, and often not even in our reality.

I call it having one foot in this world, and one in the other. She hears voices and sees people that we do not hear, and cannot see. It doesn't matter that she is legally blind, because she sees them in another dimension of space, and time, built from longing and remembrance and projection into the heavenly future she longs for.

Her other world still has, or perhaps always had, all of the things, the people, and the memories that she longs for and misses. She asks about her deceased sisters or brothers, her very best friends who all passed away before her, and her beloved long gone mother. She is constantly checking, checking, checking on her mother.

"Are you all right, mama?" she asks. Just as I do, when I hear her rustling in the night, or trying to get up from a chair when her legs cannot lift her much less carry her across the room. "Are you all right, mama? I hear myself saying out loud even in my own sleep, here in Oregon.

My mother still can talk, she has regained her ability to feed herself, and she has the most amazing sense of humor and ability to make us laugh. She is considered by all of us who know her, and those who just meet her, to be a true delight. She requires almost everything, and there are times when we are all exhausted by the effort, but her zany sense of humor and her constant sense of gratitude, are all we ever need to "keep on, keeping on."

When I give her a shot of insulin..."Thank you" she tells me. "That didn't even hurt." When we change and wipe up her messes "Thank you for helping me." she says "What would I do without so much help?"

When I tell her a silly joke using repetitive phrasing I know she can recognize, she laughs and laughs and repeats parts of it to let me know she 'got it'. "You make me feel better." she tells me and it's all I need to hear, and all I need to know.

When I look at Alzheimer's Disease through my mothers brain...I see an amazing jungle of nothingness and everythingness ...the void and the place of complete manifestation, in one. It is like the world of creation and the world of illusion, standing in lines and waves of energy, always moving, always creating yet somehow completely still, none the less.

When I feel her brain, I feel the stripes of a zebra, the zebra in the tangle wilds of the jungle and the flatness of the African plains. The zebra, that is the power animal that represents seeing through the illusion of this life and this lifetime. Things seem to line up as real (to her) or not real (to me), present (to her) or past (to me), black (and therefore dark) or white (and filled with clarity and light). But often, they are exactly the opposite to her.

Her dead mama is real to her, her grandchildren coming through the house to visit, are not. 1974 might be real to her, but 2010 doesn't even sound like a real year. She doesn't understand what 2010 means or what it represents at all. When I repeat 2010, 2010. 2010..it stops being real to me, as well. It is silly in an odd way..just as silly to me as it is silly to her.

And my mama's mind, her little zebras in the tangled jungle, spin...just as the colors of their stripes spin. So we never know, which day will be a good one....where she knows who we are, and that she is hungry,or recognizes us by the sounds we make in the room. We cannot tell what day might end up being a 'bad' one, where she doesn't remember where she is, who is there, or is able to understand anything that we say to her, at all.

On those days, when things are dark and gloomy, and the illusions fill the room with their power, she lays without moving like a little lump under her covers, not responding, not asking for anything, not knowing what is happening. We feed her, we clean and change her, we give her insulin and her Alzheimer's medications, but she doesn't respond. She is suddenly gone from this world and into another. But I ask myself, which is real and which is the illusion.....is it my world, or is it hers?

Then suddenly, the spinning begins again, she makes a twist and a turn, and she is our mother, again. It's as if she, and I, and the rest of our world, never went away. Nothing sad or bad happened in that inbetween place...not one day, not one month, not even one visit and the next.

I appear out of nowhere and she just accepts that I am there. "Hi, Michele" she says with her voice that still knows me, seeking me out of the darkness with her eyes that no longer can see. I might be in her bedroom, the living room, or I might be talking to her over the telephone. Space and time and distance have no relevance at all.

I am Michele, a name she still knows, and she is still my little sweet mama. I am her daughter...even if she has forgotten what a daughter is. And we are together again.

She is in Alaska and I am in Oregon...but I know her and she knows me, and the polarity is no longer a separation between us. She spins, and I spin, and our stripes change from day to day. But we are always together, bonded as one, and we continue to spin and to transition.

"Are you all right, mama?" she/I ask. And if the other is there, in whatever reality exists, then I/she/we are both okay.

shown above:
My AAQI art 9" x 12" art quilt "Transitioning Between the Polarities" now up at auction, beginning today. It is accompanied by my 4" x 6" co-coordinating art card "Alzheimer's: It's More than Black and White." These quilts, and many more, may be bid on for a period of 10 days.

The beginning bid is a $30 donation for AAQI, towards Alzheimer's research. Alzheimer's Art Quilt Initiative May 1-10 Quilt Auction If the amount is already over $30, that means someone has upped the bid, and you need to offer more for your bid ;)

Please support Ami Simms and the amazing group of volunteers who help her, as well as those of us who donate our quilts, by bidding on, or buying a quilt today. There are now 26 new quilts up for bidding and many more are continue to be up for immediate sale.

And make a quilt for us through our group Liberated Quilters Challenge. See all of our quilts made and sent off to date. Liberated Challenge Blog