Apr 28, 2009

A Parade of Quilts

From MVQG Parade of Quilts
Visiting the Mid-Valley Quilt Guild's "Parade of Quilts" this weekend was a visual and sensory delight.As the rows of quilts lined up in dazzlingly arrays of colors, styles, shapes, and themes before my eyes, I needed a GPS to maneuver my way through the lovely rows of handiwork.


I tried my best to capture photos...to the right, to the left, behind me, above me...oops to the other behind me.

But with my endless circling trying to follow numbers in a program while still reading every bit of quilt info and take a picture with a camera that was swallowing batteries whole...this is the best I could do. I'm uploading as fast as I can and you can see more in the Picasaweb Album.


But as with most quilt shows, most of the beauties had to be seen up close.... with real eyes to be believed.

From the mystical and geometrically accurate patterning of real crop circles....



To nutcrackers and dragonflies and poker games....
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to kokopelli's and cupcakes..

teddy bear games and lizard boys....

After all of that cycling, circling, whirling, and twisting...
I knew I had the quilt show bug...

And with or without a mask on...it was all worth the experience!

From MVQG Parade of Quilts
Another really good quilt show...and from my own guild here in Salem, Oregon...gosh, it's nice to be surrounded by such amazing talent!

Now, where's my purse? my camera? And where did I leave the front door......

Apr 27, 2009

The Ties That Bind



Spotted at the Mid-Valley Quilt Show yesterday...three lovely ladies (and sisters) wearing necktie skirts and bags.......well, ok, two of them remembered their bags. They were delightful and highly entertaining....and even gave me permission to post their photo on my blog.

After a flight home from Juneau to Salem, where I was again surrounded by TSA agents....even my ID Wallet (All My Bags are Packed...I'm Ready to Go!) couldn't save me from this one...and the discovery that my two antique rosaries set off major 'heavy metal' alarms in their 6 rides through the x-ray machine and the final acceptance that my husband might just be right...I bring drama to any flight I take.

Whether, it's the TSA agents and their intensely staring surround sound, or my seat already taken ( and no room whatsoever for even one carry-on bag) or my daughter being searched for a bomb (because I packed leftover Brie and Polenta in her carry-on....it glows orange just like plastique for a bomb) or having my family spend Christmas in different airports all over Alaska ....pdx/sea-tac airports:weather delays and cancellations... or my having to move through 3 different airplanes on one run-way as warning lights went off, of my unexpected high speed landing Failed Wheel Flaps and Quick Landings that created hearing loss for 3 months afterwards.....it's always something with me when I travel.

Suffering from almost total exhaustion as I'm both Looking Forward/ Looking Back, I made myself go to my guild's quilt show's final day, yesterday...and yes, I had to call my husband for directions as I drove.......again! I barely remembered my guild badge at the show and couldn't follow the program...at all. When my energy spikes...whether up or down...I come close to acting like either a zombie or a maniac....and my energy follows suit.

Since I carry large amounts of bio-magnetic electric energy as a 'natural energy healer', this means I'm no longer 'grounded' and break every mechanical thing that has moving or magnetic parts. My camera shut off repeatedly, brand new batteries refused to work, and I got lost (repeatedly, I might add) in a simple quilt show. I've never been able to wear a watch (hands either spin around or stop) and I'm directionally challenged beyond belief. My kids say that I can't find my way out of a paperbag but actually, it's the plastic ones with handles that cause me confusion.

I'm not sure I saw all of the quilts, and I tried to take photos of all of them but after 5 complete sets of batteries in 45 minutes and many photos as unreadable, I'll have to post what I have later on and scour the Internet for fill-ins ;) I just want those of you who only like 'quilty' posts to know that I tried.

Meanwhile, these scrappy ladies remind me of the 'ties that bind'...me to my parents, to Alaska, to all of my Bear Tales and other interesting experiences and to all of the crazy patch pieces of the jigsaw puzzle as I am perpetually Walking the Line on the edges of a very interesting life.

Thanks, ladies...you brightened my day and reminded me that I'm not the only one who doesn't mind running with scissors in one hand and a fully-loaded rotary cutter in the other one. As long as they're color co-ordinated, I figured I belong where ever I am at the time...even if I forget who and where I am as I'm doing it!

Time for the first oxygen mask, de-programming, and learning to breathe again! It's good to be home....


Apr 24, 2009

Kuspuks and Friday Finishes




 After a hyper intensive period of sewing kuspuks with a classroom of children, the class was visited by Mary Nelson, a Y'upik Eskimo native who brought her own kuspuk collection to share and display,and taught us all a Y'upik dance and song.

Like Theresa John, who came and shared Making Kuspuks with us last year, Mary also has rich roots in native traditions, culture and lore. With slightly different customs and kuspuk styling, both she and Theresa John's Y'upik kuspuks had both similarities and differences.

Mary taught us that in the modernized version, women are now wearing the male version of kuspuk...without the skirt ruffle and more like a pullover jacket. Some had zippers, some double pockets and one ...the first one in the line-up...had the most intricate quilted braid done in a tiny miniature form.


Having done Seminole patchworking in the past, I know the intricacies involved in the detail but to see it in such a tiny form was amazing. The native sewer who had created Mary's kuspuks sews, with 6 sewing machines and 1 serger, and mass produces them for sale.

While the 2nd graders loved seeing the new kuspuks and loved Mary Nelson and her stories and her beautiful Y'upik drum and fans, they loved their own chance to participate even more. While one student drummed and two others used the dance fans, all learned a new dance and chant. And wearing their own brightly colored kuspuks, (that we had helped them to make) it was such fun to join in and learn the dance, as well.

These photos showcase what will be a Friday Kuspuk Day....where innovative teacher and my sister-in-law, Paula Savikko, gives her students the opportunity to learn to sew...by hand and with a machine...and to help make their own kuspuks. The class will have a chance to showcase their kuspuks (and hopefully their song and danc) before an assembly and/or in the hallways of Gastineau Elementary School...here in Douglas, Alaska.

Combining the love of learning new skills, of sharing, and of teaching...this kuspuk project, like the one in 2008, reminds me of the rich cultures of native peoples.....nd the joy of being able to participate in them.



As I end my final week of this month in Alaska, and my second chance to work with this project, I am exhausted by the process of combining the care taking of my parents in their island home, with my own interests and heart felt need to volunteer and share with others, and filled with gratitude that in that sharing, each and every time, I learn the depths of my own ability to create new energies, new abilities, and a strengthened endurance to continue on.

Just as the fans and the drums of the Y'upik and the Tlingit peoples have inspired me with their magic rhythm,so too is there a rhythm to my own dance in this lifetime.




I look ahead and to my journey home to Salem, Oregon and see it all...all the magic, the power, the hard and challenging experiences, but I also see the joy of deep connection...to children, to sisterhood, to other cultures, to family and friends. And I am so grateful to have had so many wonderful opportunities to help me through the hardship of other challenges.




Links to Making Kuspuks in 2008:
How to make a kuspuk
Kuspuks Make Front Page News
Juneau Empire Photos: Parka party 01/18/08 video

Links to Making Kuspuks in 2009
Sewing Kuspuks Again!
Kuspuks


Links to Making Kuspuks 2010
Kuspuks Go Capitol


With Heart and Hands
© Michele (Savikko) Bilyeu
April 2009

Apr 20, 2009

YEES KOO.OO Dancers


Sunday was Native American Day in our Douglas Island (United Methodist) Community Church and what a rich surprise of blessings it brought!

In Alaska, native American refers to one of the many Alaskan Indians or Eskimos and here in Southeast Alaska it usually refers to Tlinget, Haidu or Tsimshian tribes. In the Juneau-Douglas area we have a predominant number of Tlingit kwaans or tribes.

The Tlingit culture is matrilineal...descending through the mother not the father, multifaceted and complex. In Tlingit (pronounced /ˈklɪŋkɪt/) culture, a heavy emphasis is placed upon family and kinship, and on a rich tradition of oratory. Art and spirituality are incorporated in nearly all areas of Tlingit culture, with even everyday objects such as spoons and storage boxes decorated and imbued with spiritual power and historical beliefs of the Tlingits.

While most modern Tlingit elders are fervent believers in Christianity, and have transferred or equated many Tlingit concepts with Christian ones, there is still a deep connection in spirituality, world view and culture to the earth and the physical world around them.

The Tlingit people of Southeast Alaska have two moieties (otherwise known as descent groups) in their society, each of which is divided into a number of clans. Each clan has own history, songs, and totems, and each forms a social network. The two moieties of the Tlingit society are the Raven (Yéil) and Eagle/Wolf (Ch'aak'/Gooch).

Important Raven crests are Raven, Owl, Whale, Sealion, Salmon, Frog, Sun, Moon, and Ocean; while those of the other were Wolf, Eagle, Petrel, Bear, Orca, Shark, Halibut, and Thunderbird. These images could properly appear on backdrops, posts, canoes, feast dishes, ladles, pipes, clothing, blankets, armor, helmets, drums, staffs, rattles, and graves. of extended families which functions as a political unit in Tlingit society. Here, we can see them displayed on the beautiful robes or dance regalia.

Tlingit dance regalia is magnificent. Wearing masks or headdresses representing creatures of the natural and mythical worlds, they are beautifully carved and painted. Often, chilkat blankets are used as ceremonial dance robes. The Tlingit name for the Chilkat blanket is Naxein, meaning "fringe about the body.")

Other dance blankets were beaded, appliquéd, or adorned with buttons arranged in pleasing designs. Each dancer wears the animal (s) motif of his or her own kwaan and each carries dancing implements that co-ordinate with their lineage. These might include sacred eagle feathers, drums, rattles or elaborate fur skins.

At church, we were gifted with an amazing performance by the YEES KOO.OO Dancers .....a group made of a dancers from many tribes (or kwaans) of Tlingits from various towns in southeast Alaska.

Wearing their beautiful regalia...tribal robes and headdresses, each represented their particular lineage. A person carries their lineage through the houses or moieties. So, one dancer might wear an eagle robe, another an eagle-wolf robe and so on. We saw eagle, wolf, salmon and combinations of those today.

The dancing has to be seen in person to be believed. The energy and the spiritual power that comes through the dances is immensely powerful and the sound of chanting and drumming filled the room and our hearts to the point of tears. It was primal, yet deeply spiritual and very moving.

With Heart and Hands
© Michele (Savikko) Bilyeu
April 2009

Apr 17, 2009

Making Magical Devil's Club Lip Balm in Alaska


One of the things I most love to do while I am in Alaska, is to be able to take small bits of spare time, and do creative and unusual things...and often using free, recycled or inexpensive ingredients. One of them, was to learn how to make lip gloss using native materials....many of them indigenous to southeast Alaska.


One moonlit Alaskan evening, my sister-in-law and I decided to spontaneously make 'Devil's Club Lip Balm' .....a magical potion with sacred native Alaskan origins. Devil's Club has a long history of medicinal use among Native American peoples, particularly the Tlingit, Skagit and Kwaikiutil. It is so widely used for such a variety of complaints that it is sometimes referred to as the Tlingit aspirin. It is known as the 'Alaskan ginseng and while it is known for its incredibly sharp thorns...one that can pierce heavy blue jeans or a coat...it actually has many anti-inflammatory properties.

It has been used by native Americans of the Pacific Coast as a sacred 'healing' plant...in teas and in medicinal balms. It has been shown to have promising results for diabetes by lowering blood sugars (and possibly even for tuberculosis in studies in China) but is most often used as a salve for easing sore joints and muscles, or pieces of the stalk are worn for uplifting the spirit or protection from 'evil spirits.'

When making Devil's Club balm, other plant parts, saps or essences are combined with it. Most often are poplar, alder, or cottonwood buds (see balm of Gilead, below) and cedar or spruce sap. Additional ingredients would include aromatic or scented essences, or other power filled plants such as the fireweed root...strong energy medicine that also adds a lovely rose color to the salve.

We dressed warmly, and all bundled up and carrying our flashlights and sporting head lamps, we trekked out into the dark evening and by the light of the magical full moon, located a cottonwood tree with its buds still leftover from last year's tree growth. We then pruned off a dozen or so buds and then headed off to locate a nice sappy cedar tree.



Heading home, we used three different recipes to find the best combination of the ingredients we had available to us. All recipes can be seen by enlarging the photos shown. But ours included, cedar sap, poplar buds, fireweed root, devil's club bark, olive oil or coconut oil with a little olive oil, rosebuds other dried flower buds, grated beeswax and aromatic scent.

We also used cheesecloth to strain our mixture before pouring into containers and a double boiler for melting and simmering our potion.

Devils Club Root, below:
Harvest roots with very heavy gloves, a trowel and wearing heavy clothing. Avoid contact with thorny stalks, very sharp and painful and can pierce denim easily.

Roots are cut, scrubbed with metallic scrub pad or scraped with a sharp knife. Grate or cut into slivers or smsll chunks. These were long dried and cut or broken off into chunks







 We used our previously harvested fireweed roots from last fall. Cutting the roots into small sections, and stripping off the inner pieces of the gifted devil's club stalks yielded more than enough for our needs.

The devil's club stalk adds the authentic indigenous touch while the fireweed adds the magic of fire and a lovely pink color to the mixture.



Adding olive oil, or coconut oil, rosebuds, and grated beeswax (per our recipes) we used a double boiler to melt and blend all ingredients. Using the clean piece of cheesecloth, we strained the rough ingredients out, leaving only the purest rose pink liquid.





Next, we added the energy frequencies of scent and sound. For scent we use essential oils...in this case, we selected lemongrass oil and oil of bergamot and some small baby pink rosebuds. It made for a spectacularly aromatic combination.

And for healing vibrational energies of sound, we used a lovely Tibetan singing bowl and its pestle and tuned the frequencies of sound into our healing balm.




Now, pure color, light, sound, and scent, we had the basic essences diluted into a useable form.... which we poured gently into awaiting containers specially made for lipgloss and balms.

While we had access to leftover purchased containers, it is even more frugal to save, clean, and re-use any container that will work for small applicatiions. I save lipgloss, chapstick, face cream, and travel containers of all kinds for this specific purpose.




Whether set out in containers for immediate use, or given as gifts, it is a wonderful form of homemade goodness to protect against the cold, dry air of our Alaskan weather.

And it is a reminder that even in the busiest of times, there is always energy and space for creative fun. As well as a wonderful opportunity to learn and practice old techniques..... in new and modern forms.

Anicent ways of creating healing salves and balms becomes renewed as our lip glosses or chapped lip balm. The use of natural materials combined with the energies of creation manifest in a new and readily use-able form.





Above: Among my own clay buttons, a tiny cross slice of dried Devils Club Root, turned into a small decorative sacred healing talisman, using a tiny wood burning tool marks can be imprinted onto and reshape the root into a lovely piece of art. 

Additional notes:
Check out :
*NPR: Devil's Club: A Medicine Cabintet for Alaskan Tribe

And my reference to **Balm of Gilead**

Balm of Gilead or Poplar buds come from our predominant Cottonwood Poplar trees in the United States which produce a resinous, stick and tight bud that is highly aromatic. "There is a balm in Gilead," the old Black spiritual says, "to soothe the sin-sick soul."

The Biblical allusion refers to two contrasting references to the herb in the Old and New Testaments of the Christian bible, suggesting a time when healing would be available to all who seek it.

The dried, unopened buds of the poplar tree have been used in ointments and skin treatments for at least 3,000 years.


With Heart and Hands
© Michele (Savikko) Bilyeu